Wind onshore 22.8 GW dominates the right two-thirds of the scene as dozens of tall three-blade wind turbines with white tubular towers and nacelles receding across rolling farmland into deep darkness; natural gas 6.1 GW appears centre-left as a compact combined-cycle gas turbine plant with slender exhaust stacks emitting thin heat shimmer lit by sodium floodlights; brown coal 5.5 GW occupies the far left as a cluster of massive hyperbolic cooling towers releasing heavy white-grey steam plumes illuminated from below by amber industrial lighting; hard coal 5.3 GW sits adjacent as a dark power station with a tall single stack and conveyor structures under floodlight; biomass 4.2 GW is rendered as a mid-sized plant with a rounded wood-chip dome and modest chimney glowing warmly; wind offshore 4.1 GW is suggested on the distant far-right horizon as faint red aviation warning lights in a line over an invisible sea; hydro 1.3 GW appears as a small illuminated dam structure tucked in a valley in the middle distance. No solar panels anywhere — it is fully night. The sky is completely black with dense 98% cloud cover obliterating all stars, heavy and oppressive atmosphere reflecting the 81 EUR/MWh price. Temperature is a cool 6.6°C early spring: bare deciduous trees with only the faintest bud growth, dormant brown grass. Faint ground-level mist curls around turbine bases. The only light sources are artificial — sodium-orange streetlights along a small road, white-blue floodlights on the industrial plants, red blinking lights atop turbine nacelles. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth receding into coal-smoke haze — with meticulous engineering accuracy on every turbine nacelle, every cooling tower's parabolic curve, every exhaust stack's riveted steel. The mood is solemn, industrial sublime. No text, no labels.