Brown coal 7.3 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by sodium-orange industrial floodlights; natural gas 7.8 GW occupies the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer, illuminated by harsh white halogen work lights; hard coal 4.9 GW appears centre-right as a squat coal-fired station with a large chimney and conveyor belts feeding coal hoppers, glowing reddish from furnace light visible through grate openings; wind onshore 7.8 GW spans the right third of the composition as a receding line of three-blade turbines on lattice towers along a ridgeline, their red aviation warning lights blinking faintly, rotors barely turning in nearly still air; wind offshore 0.5 GW is suggested by a distant cluster of tiny red lights on the far-right horizon; biomass 4.1 GW appears as a mid-ground wood-chip-fired plant with a modest smokestack and woodchip storage dome, warmly lit; hydro 1.4 GW is a small concrete dam structure in the lower-right foreground with water spilling into a dark river reflecting industrial lights. The sky is completely dark, deep navy-black with no twilight whatsoever, 67% cloud cover visible as grey masses partially obscuring faint stars. The atmosphere is heavy and oppressive, a cold April night at 2.9°C with wisps of ground frost on sparse early-spring vegetation — bare branches with the faintest buds. The overall mood conveys expensive, strained generation. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated colour with visible impasto brushwork, dramatic chiaroscuro from artificial light sources against the dark sky, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. Atmospheric depth achieved through layered mist and steam. No text, no labels.