Solar 29.8 GW dominates the centre and right of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling April-green farmland under an entirely overcast sky with bright, even, silvery-white diffuse light; wind onshore 20.5 GW fills the middle distance and horizon as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning briskly in moderate wind; wind offshore 2.8 GW appears as a small cluster of larger offshore turbines visible through haze on a far-left river estuary; biomass 4.2 GW is rendered as a mid-ground wood-chip-fired plant with a compact stack trailing thin white exhaust; brown coal 2.5 GW appears as a pair of hyperbolic cooling towers in the far left background, modest steam plumes drifting east; natural gas 2.4 GW shows as a single CCGT unit with a slender exhaust stack and faint heat shimmer beside the cooling towers; hydro 1.3 GW is a small dam with spillway in a forested valley at the left edge; hard coal 0.6 GW is a single dark stack barely visible behind the lignite plant. The time is 16:00 in April: full afternoon daylight but no direct sun, the entire sky a uniform luminous white-grey overcast ceiling, casting soft shadowless light across lush green spring vegetation — fresh beech leaves, flowering rapeseed beginning to yellow, damp meadow grass. The atmosphere feels calm and expansive, reflecting a deeply negative electricity price: open, unhurried, almost serene. Spring wildflowers dot foreground hedgerows. The air is mild at 17 °C. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric aerial perspective lending depth — yet every turbine nacelle, every PV module frame, every cooling tower's hyperbolic curve is rendered with meticulous engineering accuracy. No text, no labels, no people.