Wind onshore 29.8 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling central German hills into deep darkness, rotors spinning in moderate wind; brown coal 4.4 GW occupies the far left as a pair of massive hyperbolic cooling towers emitting pale steam plumes lit from below by sodium-orange industrial lights; natural gas 4.3 GW sits left-centre as a compact CCGT plant with twin exhaust stacks venting thin white exhaust, lit by white security floodlights; biomass 4.4 GW appears as a mid-ground wood-chip-fed power station with a tall chimney and glowing conveyor belt; wind offshore 2.8 GW is suggested by a distant cluster of turbines on the far-right horizon, their red aviation warning lights blinking; hard coal 1.0 GW is a small dark industrial block with a single stack near the brown coal complex; hydro 1.4 GW is a modest dam with spillway barely visible in the middle distance, water reflecting orange facility lights. The sky is completely black with heavy 100% cloud cover — no stars, no moon, no twilight glow, only a deep navy-black vault pressing down. The atmosphere feels moderately oppressive, hazy with industrial moisture. Spring vegetation — fresh green grass and budding deciduous trees — is barely discernible under the artificial lighting. Sodium streetlights line a country road in the foreground. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, moody colour palette of deep indigo, amber, and grey; visible impasto brushwork; atmospheric depth and sfumato in the distance; meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.