Wind onshore 23.5 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling central German hills into the far distance, rotors slowly turning; brown coal 5.0 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lights; natural gas 3.4 GW appears as two compact CCGT power blocks with single tall exhaust stacks venting thin heat shimmer, situated just right of the coal plant; biomass 4.1 GW is rendered as a mid-sized industrial facility with a wood-chip silo and a single modest smokestack, glowing warmly between the gas plant and the turbines; wind offshore 2.2 GW is visible as a faint line of turbines on the far horizon; hydro 1.4 GW appears as a small illuminated dam spillway in a valley at lower left; hard coal 1.0 GW is a single smaller stack with a red aviation warning light near the brown coal complex. The time is midnight: the sky is completely black with no twilight, no sky glow, only a heavy 95% overcast ceiling faintly reflecting the industrial light below in a dull amber wash. Spring vegetation — bare-budding deciduous trees, early green grass — is barely visible in pools of sodium streetlight. The atmosphere is heavy, oppressive, and humid, conveying elevated electricity prices. No stars, no moon. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of indigo, umber, and ochre, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower rib, and exhaust stack. The scene evokes Caspar David Friedrich reimagining an industrial midnight. No text, no labels.