Wind onshore 14.6 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers and nacelles, their rotors turning in moderate wind, stretching across rolling dark fields into the far distance; brown coal 5.1 GW occupies the left background as a cluster of four massive hyperbolic cooling towers emitting thick white-grey steam plumes lit faintly from below by sodium-orange industrial lighting; biomass 4.1 GW appears as a medium-sized plant with a tall single stack and a glowing furnace visible through open grating, positioned left-centre; natural gas 3.0 GW is rendered as a compact CCGT facility with two slender exhaust stacks and a smaller vapour trail, centre-left beside the biomass plant; wind offshore 3.9 GW is suggested by a row of turbines visible on a distant dark horizon line at far right, their aviation warning lights blinking red; hard coal 0.7 GW is a single modest smokestack at the far left edge, barely visible; hydro 1.3 GW appears as a small concrete dam structure in the left foreground with water gleaming faintly. TIME: 4:00 AM, completely dark — black sky with no twilight, no dawn glow, only artificial light sources. Full 100% cloud cover means no stars, no moon — an oppressive, heavy, pitch-dark overcast ceiling pressing down. Sodium-orange streetlights line a small road in the foreground. Spring vegetation is sparse — bare branches with first buds on hedgerows, damp green grass barely visible. The atmosphere is heavy and brooding, reflecting the high electricity price — a sense of industrial weight and thick humid air. Temperature near 7°C suggests mist clinging low to the ground around turbine bases. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of deep navy, charcoal, warm orange industrial glow, visible impasto brushwork, atmospheric depth and chiaroscuro. Each technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, hyperbolic cooling tower geometry, CCGT exhaust stacks. The scene evokes Caspar David Friedrich's sublime darkness married to industrial modernity. No text, no labels.