Solar 10.2 GW occupies the right third of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces reflecting only dull grey sky with no direct sunlight; wind offshore 5.3 GW and wind onshore 5.1 GW together fill the centre and centre-left as dozens of three-blade turbines with white nacelles and lattice-steel towers, the offshore cluster visible on a grey North Sea horizon and the onshore turbines standing among early-spring fields with barely-greening grass; biomass 4.4 GW appears as mid-ground industrial facilities with rectangular combustion buildings and modest chimneys trailing thin white exhaust; brown coal 3.7 GW dominates the far left as two massive hyperbolic cooling towers emitting thick white-grey steam plumes rising into the overcast; natural gas 2.3 GW is rendered as a compact CCGT plant with twin exhaust stacks and a low rectangular turbine hall adjacent to the lignite complex; hydro 1.4 GW appears as a small concrete dam and spillway nestled in a forested valley in the distant left background; hard coal 0.7 GW is a single smaller smokestack beside the brown coal towers. The sky is completely overcast with a uniform 100% cloud layer in heavy pewter-grey tones, yet fully illuminated with soft diffuse April-morning daylight at 09:00 — no sun disk visible, no shadows on the ground, muted flat lighting across the entire landscape. Temperature is near 7°C: bare deciduous branches with the faintest hint of early buds, patches of frost lingering in shaded hollows, the air has a cool damp quality. Wind is nearly still at 1.5 km/h: turbine blades frozen in mid-rotation, grass barely moving, no ripples on distant water. The atmosphere feels moderately heavy and oppressive — not dramatic but weighty, reflecting a 53 EUR/MWh price — low clouds pressing down on the industrial horizon. High-voltage transmission pylons march across the middle distance, symbolising the massive imports flowing into the grid. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour with visible confident brushwork, atmospheric depth and sfumato in the distant cooling-tower steam, meticulous engineering accuracy on every turbine nacelle, PV module frame, and cooling-tower shell. No text, no labels, no people in foreground.