Brown coal 8.2 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers releasing thick white steam plumes into the black night sky; natural gas 7.6 GW fills the centre-left as a sprawling CCGT complex with tall slender exhaust stacks topped by pale flare lights and thinner steam columns; biomass 4.7 GW appears centre-right as a cluster of industrial biomass plants with rectangular buildings, conveyor belts carrying wood chips, and modest chimneys emitting grey wisps; hard coal 3.8 GW sits to the right as a coal-fired station with a single large hyperbolic tower and coal bunkers visible under sodium floodlights; wind onshore 1.8 GW is represented by a small group of three-blade turbines on a distant ridge, their rotors nearly motionless in the still air, marked only by red aircraft warning lights blinking; wind offshore 0.6 GW is the faintest suggestion of a few tiny red lights on the far horizon; hydro 1.7 GW appears as a dam structure in the far right background with illuminated spillway. The sky is completely dark — deep black to navy, no twilight, no moon, fully overcast with 100% cloud cover creating an oppressive low ceiling that reflects the orange-sodium glow of the industrial facilities below. The atmosphere is heavy and brooding, conveying high electricity prices. Spring vegetation — budding trees, early green grass — is barely visible in the artificial light at ground level. Temperature is mild at 10.8°C, no frost. The air is dead calm, no motion in smoke or steam except gentle vertical rise. Electrical transmission towers and high-voltage lines thread between the facilities, their cables catching glints of industrial light. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth reminiscent of Caspar David Friedrich meeting industrial sublimity — with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and steel lattice structure. No text, no labels.