Brown coal 8.6 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lighting; natural gas 7.3 GW fills the centre-left as two compact CCGT blocks with tall single exhaust stacks venting shimmering heat into the darkness; hard coal 4.4 GW appears centre-right as a classical coal plant with bunker buildings, conveyor belts, and a pair of tall chimneys trailing thin smoke; biomass 4.1 GW is rendered as a cluster of smaller CHP facilities with wood-chip silos and modest stacks glowing warmly; wind onshore 3.1 GW appears in the right background as a small row of three-blade turbines on a ridge, their rotors barely turning, red aviation lights blinking; wind offshore 1.9 GW is suggested by distant nacelle lights on the far-right horizon over a dark sea; hydro 1.4 GW is a dimly lit dam structure at the far right edge with water glinting faintly. Time is 1:00 AM: the sky is completely black with dense 100% overcast—no stars, no moon, no twilight glow whatsoever, only a deep charcoal-black canopy pressing down oppressively to reflect the high electricity price. Temperature is 7.7°C in mid-April: bare branches on scattered deciduous trees just beginning to bud, damp grass glistening under industrial floodlights, patches of mist clinging to low ground between the power stations. Wind is nearly still: no motion in vegetation, smoke and steam rise almost vertically. The atmosphere is heavy and brooding. Puddles on access roads reflect orange and white facility lights. High-voltage transmission pylons recede into the murk carrying imported power. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich, dark palette of umber, ochre, slate-blue, and deep black, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.