Brown coal 8.7 GW dominates the left third of the scene as a massive lignite power complex with five hyperbolic cooling towers releasing thick white steam plumes into the black sky; natural gas 7.2 GW fills the centre-left as a row of modern combined-cycle gas turbine plants with tall slender exhaust stacks emitting faint heat shimmer; hard coal 4.4 GW occupies the centre-right as a coal-fired station with rectangular boiler buildings, conveyor belts, and a single large chimney with an orange-lit aviation warning beacon; wind onshore 3.1 GW appears as a sparse cluster of three-blade turbines on a distant ridge, rotors barely turning in the still air, red nacelle lights blinking; wind offshore 2.3 GW is suggested by distant flickering red lights on the far horizon beyond a dark river; biomass 4.1 GW appears as a mid-sized industrial plant with a wood-chip storage dome and a modest stack glowing warm amber from internal combustion; hydro 1.4 GW is a concrete run-of-river weir at the base of the scene with dark water reflecting sodium-yellow lamplight. The sky is completely black with full 100% cloud cover — no stars, no moon, no twilight whatsoever — only a deep oppressive navy-black ceiling pressing down, conveying the high electricity price. Scattered sodium streetlights cast pools of orange on wet spring roads. Early April vegetation: bare branches with the first tiny buds, damp grass, puddles reflecting industrial glow. Temperature 8.5°C evoked through mist clinging to the river surface and condensation on metal railings. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of Caspar David Friedrich meeting industrial sublime — visible impasto brushwork, atmospheric depth with layers of steam and mist, chiaroscuro contrast between glowing furnace light and the enveloping darkness. Meticulous engineering detail on every turbine nacelle, cooling tower fluting, and boiler structure. No text, no labels.