Brown coal 8.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness; natural gas 7.4 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks emitting thin vapour lit by orange sodium lamps; hard coal 4.4 GW appears centre-right as a blocky industrial power station with conveyor belts and a single large smokestack; wind onshore 3.1 GW is represented by a small group of three-blade turbines on a distant ridge, blades nearly still, their red aviation lights blinking faintly; wind offshore 2.4 GW suggested by a few turbine silhouettes on the far horizon; biomass 4.1 GW rendered as a mid-sized timber-clad generation facility with a modest chimney and stacked wood-chip storage, softly lit; hydro 1.4 GW shown as a small dam and powerhouse nestled in a valley at the far right edge. Time is 03:00 — completely dark sky, deep navy-black, no twilight, no moon visible, thick 100% cloud cover obscuring all stars. The only illumination comes from sodium-orange and white industrial lighting around the power plants, casting pools of warm light on wet asphalt and steel structures. The atmosphere is heavy, oppressive, and hazy — reflecting a high electricity price — with steam and low clouds pressing down on the landscape. Temperature is a mild 8°C spring night; early spring vegetation is just greening, bare branches on some trees, damp grass. A broad German lowland river reflects the industrial glow. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of burnt umber, Payne's grey, Naples yellow, and ivory black — with visible impasto brushwork, dramatic chiaroscuro from artificial light against total darkness, and atmospheric depth receding into haze. Each power technology is rendered with meticulous engineering accuracy: lattice towers and three-blade rotors on the turbines, riveted steel on coal plant structures, aluminium cladding on CCGT units. The mood is brooding industrial sublimity. No text, no labels.