Brown coal 9.2 GW occupies the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes into the dark sky, with glowing conveyor belts of lignite visible at their base; natural gas 8.4 GW fills the centre-left as several compact CCGT power stations with tall single exhaust stacks topped by orange flare tips and illuminated by sodium-yellow industrial lighting; hard coal 4.4 GW appears centre-right as a pair of large coal-fired plant buildings with rectangular stacks and visible coal stockpiles lit by floodlights; wind onshore 7.3 GW spans the right third as a long row of tall three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the black sky, rotors turning slowly in moderate wind; wind offshore 3.0 GW is suggested in the far-right background as a faint line of turbine lights on the distant dark horizon; biomass 4.1 GW appears as a mid-sized industrial facility with a rounded silo and single stack emitting thin vapour, situated between the coal and wind sections; hydro 1.6 GW is rendered as a small illuminated dam structure at the far left edge with water gleaming faintly under artificial light. The sky is completely dark — deep black to navy, no twilight, no moon, 100% overcast with low heavy clouds faintly illuminated from below by the industrial glow. The atmosphere is oppressive and heavy, reflecting the high electricity price. Spring vegetation is barely visible — bare or early-budding trees along a foreground field, damp with 7°C chill, glistening slightly under lamp light. The entire landscape is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between glowing industrial facilities and surrounding darkness, atmospheric depth with steam and low clouds merging, technically accurate engineering details on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.