Brown coal 9.0 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes into the night sky; natural gas 11.3 GW fills the centre-left as a row of modern combined-cycle gas turbine plants with tall slender exhaust stacks venting shimmering heat haze; hard coal 4.5 GW appears centre-right as a classic coal-fired station with rectangular boiler houses, conveyor belts, and a single large chimney trailing grey smoke; biomass 4.5 GW is rendered as a cluster of smaller industrial facilities with wood-chip storage domes and modest stacks glowing warmly; wind onshore 2.0 GW appears as a handful of three-blade turbines on a distant ridge, rotors barely turning in the still air; hydro 1.9 GW is suggested by a small dam and powerhouse at the far right edge near a river. The sky is completely dark — a deep navy-black night, no twilight, no sky glow — with only sodium-orange streetlights and the amber glow of industrial windows illuminating the facilities from below. A partially clear sky reveals scattered stars through 35% cloud cover. The atmosphere feels heavy, oppressive, and close, reflecting the high electricity price. Early spring vegetation — bare branches with sparse new leaves, muted brown-green grass — lines the foreground. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich impasto brushwork, dramatic chiaroscuro between the glowing industrial complexes and the surrounding darkness, atmospheric depth with haze and reflected light on low clouds, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.