Brown coal 8.8 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky; natural gas 8.3 GW fills the centre-left as three compact CCGT units with tall single exhaust stacks and orange-lit turbine halls; hard coal 4.4 GW appears centre-right as a smaller coal-fired plant with a single large chimney trailing darker smoke; wind onshore 6.2 GW stretches across the right side as a line of fifteen three-blade turbines on lattice towers, their red aviation warning lights blinking faintly, rotors turning very slowly in near-calm air; wind offshore 2.9 GW is suggested on the far right horizon as a cluster of turbine lights barely visible above a dark sea line; biomass 4.1 GW appears as a mid-sized industrial facility with a wood-chip storage dome and a single exhaust stack, warmly lit from within, positioned between the gas plant and the wind turbines; hydro 1.4 GW is rendered as a concrete run-of-river dam with sluice gates in the lower foreground, lit by a few sodium lamps reflecting on dark water. The sky is completely black with full 100% cloud cover — no stars, no moon, no twilight glow — a heavy, oppressive overcast pressing down, reinforcing the high electricity price atmosphere. Temperature is a cool 9°C spring night: early budding deciduous trees are barely visible, grass damp. Sodium-orange streetlights and industrial floodlights provide the only illumination, casting warm pools on wet roads and steam clouds. The overall mood is sombre, industrially active, the landscape humming with thermal generation under a low, dark ceiling. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth receding into blackness, meticulous engineering detail on every turbine nacelle, cooling tower hyperbolic curve, and CCGT stack. No text, no labels.