Brown coal 7.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky, surrounded by lignite conveyors and excavated earth; natural gas 4.9 GW appears centre-left as two compact CCGT power blocks with tall slender exhaust stacks trailing thin heat shimmer; hard coal 4.1 GW sits behind the gas plant as a single large unit with a rectangular boiler house and a prominent chimney emitting faint haze; solar 29.8 GW fills the entire right half and much of the middle ground as an enormous expanse of aluminium-framed crystalline silicon photovoltaic panels stretching across gently rolling farmland toward the horizon, their glass surfaces reflecting the diffuse grey-white light of a deeply overcast sky; biomass 4.3 GW appears as a compact wood-chip-fed plant with a modest smokestack and biomass storage silos at centre-right; wind onshore 1.9 GW is rendered as a small group of three-blade turbines on a distant ridge, rotors barely turning in the still air; wind offshore 1.5 GW is suggested by a faint line of offshore turbines visible on a far hazy horizon through a gap in the terrain; hydro 1.5 GW appears as a small run-of-river weir with a concrete powerhouse along a modest river in the foreground. The sky is almost entirely blanketed by heavy stratiform clouds at 92% cover, with only faint brightness where the mid-morning sun tries to penetrate — full April daytime at 10:00 in central Germany, diffuse illumination, no direct shadows. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a thick humid haze hangs over the industrial structures, the air slightly yellowish near the coal plants. Spring vegetation is emerging: pale green buds on deciduous trees, fresh grass in meadows between the solar arrays, patches of rapeseed beginning to yellow. Temperature around 12°C — figures in work jackets, no frost. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich, layered colour, visible impasto brushwork, and deep atmospheric perspective — reminiscent of Caspar David Friedrich's sense of scale and Carl Blechen's industrial realism — meticulous engineering accuracy on every turbine nacelle, panel frame, and cooling tower, yet with the emotional depth and compositional grandeur of a masterwork landscape. No text, no labels.