Brown coal 9.0 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky; natural gas 8.8 GW fills the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks emitting heat shimmer, lit by orange sodium floodlights; hard coal 4.8 GW appears centre-right as a smaller coal-fired station with rectangular boiler houses, conveyor belts, and a single large chimney trailing faint smoke; biomass 4.1 GW is rendered as a mid-sized industrial plant with a rounded dome and wood-chip storage yard, glowing warmly from interior lighting; wind onshore 2.4 GW appears as a handful of distant three-blade turbines on a low ridge, rotors nearly still, their red aviation lights blinking faintly; hydro 1.5 GW is a concrete dam structure in the far background with water gleaming under floodlights. The sky is completely dark — deep navy-black, no twilight, no moon visible, heavy 86% overcast obscuring all stars, creating a low oppressive ceiling reflecting the industrial glow. The atmosphere feels heavy and close, hinting at the high electricity price. Temperature around 9.5°C: early spring vegetation is sparse, grass dark and damp, bare-branched trees just beginning to bud. Virtually no wind — smoke and steam rise vertically. Sodium-orange and cool-white industrial lighting illuminates each facility, casting long reflections on wet ground. High-voltage transmission pylons recede into the darkness toward the horizon, symbolising the import flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, sombre colour palette of deep blacks, warm oranges, cool blues; visible confident brushwork; atmospheric depth with industrial haze softening distant structures; meticulous engineering accuracy on turbine nacelles, cooling tower geometry, CCGT stacks, and pylon lattice work. No text, no labels.