Brown coal 9.0 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes lit from below by amber sodium lamps; natural gas 8.6 GW fills the centre-left as a cluster of CCGT plants with tall slender exhaust stacks and glowing turbine halls; hard coal 4.7 GW appears centre-right as a pair of rectangular coal-fired boiler houses with tall chimneys and conveyor belts feeding dark fuel; biomass 4.1 GW is rendered as a modest industrial facility with a domed digester and a low stack emitting faint vapour, positioned right of centre; wind onshore 2.5 GW appears as a small group of three-blade turbines on a distant ridge, rotors nearly still; wind offshore 0.4 GW is a faint silhouette of two turbines on the far horizon; hydro 1.5 GW is a concrete dam with spillway set into a dark hillside at the far right. Time is 02:00 — the sky is completely black with no twilight or sky glow, heavy 83% cloud cover obscuring all stars, a deep oppressive overcast ceiling pressing down on the scene. The only illumination is artificial: amber and white industrial lighting on the power stations, red aviation warning lights atop cooling towers and chimney stacks, a faint glow from a distant town on the horizon. The landscape is early-spring central German terrain — bare deciduous trees just beginning to bud, dark plowed fields, patches of damp grass at 9°C. The air is still, no motion in vegetation, a heavy humid atmosphere conveying the high electricity price as an oppressive, weighty mood. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich — rich deep colour palette of blacks, dark navy blues, warm ambers, and cool greys, visible confident brushwork, atmospheric depth with industrial haze, meticulous engineering accuracy on all turbine nacelles, lattice towers, cooling tower hyperboloid geometry, CCGT exhaust configurations, and conveyor belt structures. The painting evokes sublime industrial grandeur in darkness. No text, no labels.