Brown coal 6.1 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into blackness; natural gas 4.6 GW occupies the centre-left as compact CCGT power blocks with tall single exhaust stacks emitting thin vapour lit by sodium lamps; wind onshore 4.5 GW spans the centre-right as a row of large three-blade turbines on lattice towers, blades turning slowly, their red aviation warning lights blinking; biomass 4.1 GW appears as a mid-sized industrial plant with wood-chip conveyors and a single smokestack glowing warmly; hard coal 3.5 GW sits to the far right as a traditional coal-fired station with twin striped chimneys and coal bunkers; hydro 1.4 GW is suggested by a small concrete dam in the far background with water gleaming faintly; wind offshore 0.7 GW appears as distant tiny turbines on a dark horizon line suggesting the North Sea. The sky is completely black and heavily overcast at 03:00, no stars, no moon, no twilight glow whatsoever — only artificial light sources illuminate the scene: orange sodium streetlights along access roads, cool white floodlights on industrial structures, and the red blink of turbine beacons. The atmosphere feels heavy and oppressive, reflecting the high electricity price. Spring vegetation — fresh green grass and budding trees — is barely visible in the lamplight. A mild 10°C mist clings to low ground. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, deep chiaroscuro contrasts between glowing industrial facilities and the surrounding darkness, atmospheric depth receding into a coal-black horizon. Meticulous engineering detail on every technology: turbine nacelles, aluminium cooling tower frameworks, riveted steel stacks. No text, no labels.