Wind onshore 14.2 GW dominates the right half of the scene as dozens of three-blade turbines on lattice towers stretching across dark rolling hills, their red aviation lights blinking; wind offshore 4.8 GW appears in the far-right background as a cluster of turbines standing in a black sea with faint beacon lights. Brown coal 6.7 GW occupies the left foreground as massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lights. Natural gas 7.3 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks venting thin white plumes, their facilities illuminated by harsh white floodlights. Hard coal 3.9 GW appears as a smaller coal-fired station behind the gas plants with a chunky rectangular boiler house and a single square chimney trailing grey smoke. Biomass 4.1 GW is rendered as a mid-ground wood-chip CHP facility with a rounded silo and short stack glowing warmly. Hydro 1.4 GW is a small concrete dam structure at the far left edge with faint spillway lights reflecting in dark water. The sky is completely black with heavy 94% cloud cover obliterating all stars — no twilight, no sky glow, pure deep-navy darkness pressing down oppressively to reflect the high 98.6 EUR/MWh price. Temperature is 5.2°C: early spring vegetation is sparse, bare branches on scattered trees, brown-green grass just emerging. Light wind at 5.6 km/h gives gentle motion to the steam plumes. The only illumination comes from artificial sources — orange sodium streetlights lining an access road, white industrial floodlights on plant structures, and red turbine beacons. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark palette, visible expressive brushwork, atmospheric depth and dramatic chiaroscuro, but with meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.