Wind onshore 13.2 GW dominates the right half of the canvas as dozens of tall three-blade turbines on lattice towers stretching across dark rolling farmland, their red aviation lights blinking in the blackness; wind offshore 4.4 GW appears in the far right background as a cluster of larger turbines standing in an invisible North Sea, marked only by their warning lights reflecting on dark water. Brown coal 6.8 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white-grey steam plumes rising into the night, lit from below by sodium-orange floodlights. Natural gas 7.3 GW fills the left-centre as two compact combined-cycle gas turbine blocks with tall single exhaust stacks venting thin heat shimmer, their metallic housings gleaming under industrial lighting. Hard coal 4.0 GW sits behind the gas plant as a smaller conventional station with a single large chimney and coal conveyor belt visible under spotlights. Biomass 4.1 GW appears centre-right as a modest wood-chip-fed generating hall with a gently smoking stack and a pile of timber visible in floodlight. Hydro 1.4 GW is suggested by a small dam structure in the mid-ground valley with a faint cascade of water catching artificial light. The sky is completely black to deep navy, 100% overcast with no stars, no moon, no twilight — a heavy, oppressive cloud ceiling pressing down, hinting at the high electricity price. Temperature is 5.4°C in mid-April: the sparse vegetation is early spring, bare branches with first tiny buds, patches of damp grass, a chill mist clinging to low ground. Wind speed is modest at 5 km/h so turbine blades turn slowly. Absolutely no sunlight, no solar panels anywhere. Sodium streetlights line a distant Autobahn. Transmission pylons with high-voltage lines cross the entire scene, symbolising imports flowing into Germany. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich chiaroscuro, visible impasto brushwork, atmospheric depth, dramatic interplay of artificial warm light against cold darkness, meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.