Brown coal 6.8 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the dark sky, lit from below by sodium-orange industrial lamps; natural gas 7.6 GW occupies the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, their turbine halls glowing with interior light through tall windows; hard coal 4.5 GW sits centre-right as a blocky power station with conveyor belts and a single large smokestack, coal piles faintly visible under floodlights; wind onshore 9.3 GW spans the right third of the composition as a line of tall three-blade turbines on lattice and tubular towers receding into the distance along a frost-white ridgeline, blades turning slowly; wind offshore 0.7 GW is suggested by a few tiny turbine silhouettes on the far-right horizon; biomass 4.2 GW appears as a mid-sized wood-chip-fed plant with a modest stack and steam wisp between the gas plant and coal station; hydro 1.4 GW is a small dam structure with water gleaming under a single floodlight in the lower foreground. The sky is deep pre-dawn blue-grey — the first faint pale streak of dawn barely visible at the eastern horizon, stars still faintly present overhead; the atmosphere is heavy and oppressive reflecting the 121.2 EUR/MWh price, with low haze and frost crystals in the air. The ground is covered in light frost on bare early-spring grass and dormant hedgerows, temperature near freezing. Air is still, almost no wind motion at ground level. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich, dark colour palette of deep blues, amber industrial glows, and cold grey-whites, visible confident brushwork, meticulous atmospheric depth and chiaroscuro, technically accurate engineering detail on every structure. No text, no labels.