Solar 36.5 GW dominates the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across the entire right two-thirds of the composition, angled south and gleaming under intense direct sunlight; wind onshore 6.5 GW appears as a cluster of three-blade turbines with white tubular towers on gentle green hills in the mid-ground right, their rotors turning lazily in light breeze; wind offshore 1.6 GW is visible as a small row of offshore turbines on a distant hazy horizon line; brown coal 3.5 GW occupies the far left as two large hyperbolic concrete cooling towers emitting thin white steam plumes; natural gas 2.4 GW sits left-of-centre as a compact CCGT plant with a tall single exhaust stack and low-profile turbine hall; hard coal 1.8 GW appears as a smaller coal-fired station with a single rectangular stack and coal conveyor beside the brown coal towers; biomass 4.1 GW is rendered as a mid-sized wooden-chip-fed CHP plant with a modest chimney and log storage yard in the left mid-ground; hydro 1.4 GW appears as a small run-of-river weir with a powerhouse nestled along a river curving through the foreground. Time is 16:00 in late April: full bright afternoon daylight with the sun somewhat past zenith in a completely cloudless deep blue sky, long warm golden light casting defined shadows to the east. Temperature 15°C: fresh spring landscape with bright new-green deciduous foliage, wildflowers dotting meadows, some flowering cherry and apple trees. The atmosphere is calm, luminous, and expansive — open sky suggesting the zero electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich layered colour, visible impasto brushwork, atmospheric aerial perspective fading to pale blue at the horizon, meticulous engineering detail on every turbine nacelle, PV cell grid pattern, cooling tower ribbing, and exhaust stack — a masterwork industrial landscape painting. No text, no labels.