Wind onshore 14.8 GW dominates the right half of the scene as dozens of three-blade turbines on lattice towers stretching across rolling hills into deep distance; wind offshore 3.3 GW appears as a cluster of larger turbines on the far-right horizon above a dark sea strip; natural gas 8.4 GW fills the centre-left as a brightly lit CCGT plant complex with tall single exhaust stacks venting thin white plumes, sodium lamps illuminating the metal structures in amber; brown coal 6.7 GW occupies the left foreground as three massive hyperbolic cooling towers releasing thick steam columns, lit from below by orange industrial floodlights; hard coal 3.7 GW appears as a smaller coal plant with a single smokestack and conveyor belt visible behind the cooling towers; biomass 4.6 GW is rendered as a mid-ground wood-chip-fed generating facility with a modest stack and neat timber yard lit by white floodlights; hydro 1.5 GW appears as a small dam with spillway in a valley at far left, barely visible. Night scene at 21:00 in April: completely dark sky, deep navy-black, no twilight remnant, stars faintly visible through a perfectly clear atmosphere with zero cloud cover. Spring vegetation: fresh green grass and budding deciduous trees rendered in dark tones visible only where artificial light reaches them. Temperature 12.3°C suggests mild air — no frost, no heat haze. Low wind in central Germany: turbine blades turning slowly, grass barely stirring. High electricity price atmosphere: oppressive, heavy mood despite clear sky — a brooding tension conveyed through deep saturated darks and intense contrast with the industrial amber glow. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich impasto brushwork, dramatic chiaroscuro, atmospheric depth receding into darkness, meticulous engineering detail on turbine nacelles, three-blade rotors, aluminium conduit, cooling tower reinforced-concrete ribbing, CCGT heat-recovery boilers. No text, no labels.