Solar 41.9 GW dominates the scene: vast fields of aluminium-framed crystalline silicon photovoltaic panels stretch across the entire right two-thirds of the composition, angled southward under brilliant midmorning sunshine, glinting blue-white under a perfectly cloudless pale spring sky. Wind onshore 8.0 GW appears as a long row of tall three-blade turbines with white tubular towers on gentle green hills in the centre-left middle distance, their rotors barely turning in the nearly still air. Wind offshore 4.0 GW is visible as a cluster of larger turbines on the far-left horizon standing in a silver strip of sea. Biomass 4.1 GW is rendered as a modest wood-chip-fed power station with a single squat smokestack and stored timber logs in the left foreground. Brown coal 2.8 GW appears as a pair of hyperbolic concrete cooling towers releasing thin white steam plumes, positioned at far left behind the biomass plant. Natural gas 2.4 GW is a compact combined-cycle gas turbine facility with a clean metallic exhaust stack, tucked between the cooling towers and the wind turbines. Hard coal 1.6 GW is a smaller conventional brick-and-steel power station with a single chimney, just visible behind the gas plant. Hydro 1.3 GW is suggested by a small concrete dam with white cascading water in a valley in the distant left background. The lighting is full bright April midmorning daylight at 10:00, sun moderately high in the east-southeast, casting crisp short shadows; the atmosphere is calm, tranquil, open, with unlimited visibility. Early spring vegetation: fresh pale-green buds on deciduous trees, cool-toned meadow grass, a few wildflowers emerging. Temperature is cool — figures in the scene wear light jackets. The overall mood is serene abundance. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich layered colour, visible confident brushwork, luminous atmospheric depth, and meticulous engineering accuracy for every technology depicted. No text, no labels.