Wind onshore 22.0 GW dominates the right two-thirds of the scene as dozens of three-blade turbines with lattice towers and detailed nacelles stretching across rolling hills into the darkness; wind offshore 4.9 GW appears as a distant cluster of taller turbines with red aviation warning lights blinking on a dark horizon line at far right; natural gas 6.7 GW fills the centre-left as a compact CCGT power station with tall single exhaust stacks emitting thin white plumes, lit by harsh sodium floodlights; brown coal 5.2 GW occupies the left foreground as two massive hyperbolic cooling towers with thick steam plumes rising into the black sky, the plant's conveyor belts and boiler house illuminated by amber industrial lighting; hard coal 3.0 GW appears as a smaller coal plant with a single cooling tower and chimney stack behind the lignite station, its red obstruction lights glowing; biomass 4.5 GW is rendered as a mid-sized CHP facility with a wood-chip storage dome and a moderate exhaust plume in the centre background; hydro 1.4 GW appears as a small concrete dam with a spillway glimmering faintly in the lower left corner. The sky is completely black with heavy 93% overcast — no stars, no moon, no twilight glow — only a deep oppressive navy-black ceiling of clouds pressed low, conveying the high 116.3 EUR/MWh price as atmospheric weight. Spring vegetation: fresh green grass and budding deciduous trees faintly visible under sodium streetlight amber. Wind turbine blades show moderate rotational blur suggesting steady wind. All artificial lighting casts sharp orange-sodium and white-LED pools. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric chiaroscuro depth, Caspar David Friedrich's sense of sublime scale — but with meticulous modern engineering accuracy in every turbine nacelle, cooling tower curvature, and CCGT exhaust detail. No text, no labels.