Wind onshore 22.5 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and aerodynamic nacelles, arranged in receding rows across a dark rolling plain; wind offshore 5.2 GW appears as a distant line of larger turbines on the far-right horizon above a barely visible sea; natural gas 6.5 GW occupies the centre-left as a compact CCGT plant with twin exhaust stacks emitting thin grey plumes, lit by sodium-orange industrial floodlights; brown coal 4.8 GW fills the left foreground as two massive hyperbolic cooling towers releasing dense white steam illuminated from below by amber facility lights; hard coal 2.8 GW sits just right of the brown coal as a smaller power station with a single tall chimney and coal conveyors; biomass 4.4 GW appears as a mid-ground wood-chip-fired plant with a green-lit storage dome and modest stack; hydro 1.3 GW is a small dam structure with cascading water visible in the far centre background. The sky is fully dark — 22:00 in late April — deep navy-black with 98% cloud cover blocking all stars, an oppressive low overcast ceiling reflecting faint amber city-glow from below. Spring vegetation: fresh green grass and budding trees rendered in muted tones under artificial light. Temperature is mild at 11.7°C — no frost, light dampness on surfaces. The atmosphere feels heavy and close, conveying the high electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro between pools of industrial light and surrounding darkness, atmospheric depth with haze around the cooling tower plumes, meticulous engineering detail on every turbine nacelle, lattice substation, and exhaust stack. No text, no labels.