Wind onshore 19.0 GW dominates the right half of the canvas as dozens of three-blade turbines on tall lattice towers stretching across rolling central German farmland; wind offshore 6.0 GW appears in the far right distance as a cluster of turbines on a dark sea horizon line; brown coal 5.2 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by amber sodium lamps; natural gas 5.3 GW sits centre-left as two compact CCGT plants with slender single exhaust stacks and faint heat shimmer; hard coal 2.9 GW appears beside the lignite station as a smaller power block with a conveyor belt and rectangular stack; biomass 4.1 GW is rendered centre-right as a mid-sized industrial plant with a wood-chip storage dome and modest chimney; hydro 1.3 GW is a small run-of-river weir in the lower centre with water glinting under artificial light. Time is 02:00 at night: the sky is completely black with faint stars visible through 5% cloud cover, no twilight, no sky glow — only sodium-orange streetlights, industrial facility lighting, and red aviation warning lights on turbine nacelles punctuate the darkness. Early spring vegetation: bare-branched trees just beginning to bud, dry brown grass with hints of new green, temperature around 7 °C suggested by a light ground mist clinging to low valleys. The atmosphere is heavy and oppressive despite clear skies, reflecting the high electricity price — a brooding, tense stillness over the industrial landscape. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of indigo, amber, and charcoal, visible impasto brushwork, dramatic chiaroscuro lighting, atmospheric depth with layers of mist receding into the distance. Every technology rendered with meticulous engineering accuracy: turbine nacelles with correct three-blade rotors, aluminium-clad CCGT housings, lignite cooling towers with parabolic curves and condensation plumes. No text, no labels.