Wind onshore 16.2 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling farmland into the deep distance; wind offshore 5.6 GW appears as a distant line of larger turbines visible on a dark sea horizon at far right. Brown coal 6.5 GW occupies the left foreground as a massive lignite power station with three hyperbolic concrete cooling towers emitting thick white steam plumes rising into the heavy sky. Natural gas 5.8 GW sits left of centre as a compact CCGT plant with twin slender exhaust stacks topped by heat-shimmer exhaust. Hard coal 3.2 GW appears as a smaller coal plant with a single rectangular boiler house and tall brick chimney behind the gas facility. Biomass 4.2 GW is rendered as a cluster of medium industrial buildings with cylindrical wood-chip silos and a modest smokestack, positioned centre-right between the thermal plants and the wind turbines. Hydro 1.2 GW is a small dam and powerhouse visible in a river valley in the middle distance. Time is 05:00 pre-dawn in late April: the sky is deep blue-grey with the faintest pale hint of cold light along the eastern horizon, no direct sunlight, no warm colours in the sky. Seventy-five percent cloud cover creates a heavy overcast layer pressing down on the scene. No solar panels anywhere — it is still dark. Temperature is 4.3 °C: early spring vegetation is sparse, grass is dull green-brown, bare branches on some trees, patches of frost on fields. Low ground-level wind means turbine blades turn slowly in the distance. The atmosphere feels heavy and oppressive, reflecting the high electricity price: thick industrial haze mixes with cooling-tower steam, sodium-orange streetlights glow along a road in the foreground, and lit windows of control buildings cast warm rectangles onto wet pavement. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich deep blues, greys, ochres, and warm sodium-light oranges, visible confident brushwork, atmospheric perspective with mist and steam layering depth across the scene, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.