Wind onshore 14.5 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling green-brown spring hillsides, rotors turning steadily in moderate wind; wind offshore 5.3 GW appears in the far right background as a line of turbines standing in a grey North Sea glimpsed through a valley gap; brown coal 6.4 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers issuing thick white steam plumes into the heavy overcast; natural gas 5.5 GW sits centre-left as two compact CCGT plants with tall single exhaust stacks venting thin heat shimmer; hard coal 2.7 GW appears behind them as a smaller conventional plant with a square chimney and coal conveyor; biomass 4.5 GW is rendered centre-right as a cluster of modest industrial buildings with wood-chip silos and low stacks trailing faint smoke; solar 6.2 GW is represented as rows of aluminium-framed crystalline silicon panels in a field just right of centre, their surfaces reflecting only dull grey sky, producing weakly under total cloud cover; hydro 1.5 GW appears as a small concrete dam and spillway in the middle distance beside a river. Time is early dawn at 07:00 in late April — the sky is deep blue-grey with the faintest pale luminosity along the eastern horizon, no direct sunlight, pre-dawn diffuse glow only. Cloud cover is 99%, a uniform heavy blanket of stratus pressing low over the entire landscape. Temperature is 4.5°C — bare branches on deciduous trees, early spring grass with frost traces, breath-like mist near ground level. The atmosphere is oppressive and heavy, reflecting the high electricity price — dense humid air, muted tones, industrial haze mixing with cloud base. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich layered colour in slate greys, umber browns, and cold blue-greens, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, panel frame, and exhaust stack, the scene feeling monumental and brooding, a masterwork of the industrial-Romantic landscape genre. No text, no labels.