Solar 41.4 GW dominates the entire foreground and middle ground as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching to the horizon, their blue-black surfaces glinting under bright afternoon sunlight; wind onshore 8.8 GW occupies the right third of the scene as clusters of tall three-blade turbines on lattice and tubular towers turning gently in light wind across green spring hills; wind offshore 2.1 GW appears as a distant row of turbines on the far-right horizon above a hazy coastal line; biomass 4.1 GW is rendered as a mid-sized industrial plant with a wood-chip silo and single stack emitting pale steam, positioned at centre-left; brown coal 2.9 GW appears at the far left as two hyperbolic cooling towers releasing modest steam plumes beside a lignite conveyor; natural gas 1.9 GW sits as a compact CCGT unit with a single tall exhaust stack emitting thin clear heat haze, placed just left of centre; hard coal 1.2 GW is a smaller conventional plant with a single square stack and coal bunker behind the gas unit; hydro 1.2 GW appears as a small concrete dam with spillway set into a wooded valley at the far background left. Time of day is 3 PM in late April — full bright daylight, sun high in the western quadrant, sky partly cloudy at 54% cover with large cumulus clouds drifting across a blue sky, patches of direct sunlight and cloud shadow playing across the landscape. Spring vegetation: fresh bright-green deciduous trees in early leaf, grass meadows, wildflowers. Temperature 12°C gives a crisp, clear atmosphere with excellent visibility. The negative electricity price is conveyed through an open, calm, luminous sky with generous light. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich saturated colour, visible confident brushwork, atmospheric aerial perspective with hazy blue distances — but every energy technology rendered with meticulous engineering accuracy: turbine nacelles, rotor blade pitch mechanisms, PV module junction boxes, cooling tower parabolic geometry, conveyor belt structures. The scene feels like a masterwork panoramic landscape of the modern industrial-pastoral German countryside. No text, no labels.