Wind onshore 16.8 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles, receding in rows across rolling farmland into deep darkness; wind offshore 3.8 GW appears on the far right horizon as a faint cluster of red aviation warning lights over a black sea line; brown coal 6.0 GW occupies the left foreground as three massive hyperbolic cooling towers with pale steam plumes rising into the night sky, flanked by conveyor belts and lignite stockpiles; natural gas 4.3 GW sits centre-left as two compact CCGT plant blocks with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-yellow industrial floodlights; hard coal 1.8 GW is a smaller single-stack plant behind the gas units, glowing faintly orange from its boiler house windows; biomass 4.1 GW appears as a mid-sized plant with a domed digester tank and a short chimney, illuminated by green-tinted facility lights, positioned between the coal towers and the wind turbines; hydro 1.3 GW is represented by a small concrete dam with spillway visible in the middle distance, a single floodlight reflecting off dark water. The sky is completely black — no twilight, no moon glow — a deep navy-to-black overcast ceiling at 88% cloud cover pressing down heavily, creating an oppressive atmosphere reflecting the 95.5 EUR/MWh price. The only light sources are artificial: warm sodium streetlights along a road in the foreground, white and orange industrial lighting on the power plants, red blinking aviation lights atop every turbine nacelle. Early spring vegetation — bare-branched trees beginning to bud, dark green grass — at 8°C, a cool damp atmosphere with faint mist clinging to the ground between the turbines. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's sense of sublime darkness combined with meticulous industrial engineering detail: visible lattice tower foundations, guy-wire anchors, aluminium cladding on turbine nacelles, reinforced concrete texture on cooling towers, steel grating on plant walkways. Rich impasto brushwork, atmospheric depth achieved through layered darkness, the scene lit only by scattered artificial points of light. No text, no labels.