Wind onshore 28.5 GW dominates the right two-thirds of the composition as vast ranks of three-blade turbines on lattice towers stretching across rolling green spring hills into the distance, rotors visibly turning in moderate wind; solar 13.1 GW occupies the centre-left foreground as expansive fields of aluminium-framed crystalline silicon panels angled toward the low western sun; wind offshore 5.0 GW appears on the far right horizon as a line of turbines rising from a distant silver sea; biomass 4.6 GW is rendered as a cluster of modest industrial plants with wood-chip storage domes and thin white exhaust in the left midground; brown coal 2.5 GW sits in the far left as two hyperbolic concrete cooling towers with thin wisps of steam; natural gas 2.3 GW appears as a compact CCGT plant with a single tall exhaust stack beside the cooling towers; hydro 1.4 GW is a small dam and spillway in a wooded valley at left; hard coal 0.9 GW is a single smaller stack with minimal exhaust near the brown coal plant. Time is 18:00 in late April: the sun is low on the western horizon, casting long warm orange-gold light across the landscape, sky fading from pale blue overhead to a rich amber-orange band at the horizon, no clouds whatsoever, completely clear sky. Temperature is mild at 16°C: fresh green spring foliage on deciduous trees, wildflowers in meadows, lush grass. The atmosphere is calm and open, reflecting the very low electricity price — expansive, luminous, serene. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, dramatic atmospheric depth and golden-hour chiaroscuro, meticulous engineering detail on every turbine nacelle, every PV cell reflection, every cooling tower's concrete texture. No text, no labels, no people prominent, a masterwork industrial landscape painting.