Solar 21.4 GW dominates the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across the entire right half and centre of the composition, their blue-black surfaces catching the early morning light; biomass 4.6 GW appears in the centre-left as a cluster of industrial wood-chip power plants with stockpiled timber and thin white exhaust plumes; wind onshore 2.8 GW shows as a modest row of three-blade turbines with lattice towers on a low ridge, blades barely turning in the near-still air; natural gas 2.7 GW is rendered as two compact CCGT units with single exhaust stacks emitting thin heat haze in the left-centre; brown coal 2.3 GW occupies the far left as a pair of hyperbolic cooling towers with lazy steam plumes drifting upward; hydro 1.3 GW appears as a small dam with a reservoir nestled in the middle distance; hard coal 1.0 GW is a single dark smokestack facility at the far left edge; wind offshore 0.4 GW is faintly visible on the distant horizon as tiny turbines in haze. The scene is set at 08:00 in late April: the sun is low in the eastern sky, casting long golden-orange shadows across the landscape with a clean, mostly clear sky of pale spring blue and scattered thin cirrus clouds covering roughly 17% of the sky. The temperature is a cool 4.6°C — vegetation is early spring: fresh pale-green buds on bare birch and beech trees, frost lingering in shadowed hollows, short grass still dormant brown in patches. The air is almost perfectly still. The atmosphere is calm and open, reflecting a moderate electricity price — no oppressive haze or heaviness. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, atmospheric depth with subtle aerial perspective, meticulous engineering detail on every turbine nacelle, every PV module frame, every cooling tower's parabolic curvature. The painting conveys the quiet industrial grandeur of a renewable-dominated grid on a crisp spring dawn. No text, no labels.