Brown coal 7.8 GW occupies the left third of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes lit from below by amber sodium lights; natural gas 6.5 GW fills the centre-left as two compact CCGT units with tall single exhaust stacks venting thin heat shimmer; hard coal 3.3 GW appears centre-right as a smaller coal plant with a single rectangular boiler house and conveyor belts carrying dark fuel; biomass 4.1 GW is rendered as a cluster of medium-sized biomass combustion facilities with cylindrical wood-chip silos and modest chimneys glowing orange; onshore wind 3.5 GW appears in the right background as a sparse line of three-blade turbines on lattice towers with rotors nearly still in the calm air; hydro 1.2 GW is a small run-of-river weir with illuminated sluice gates in the far right foreground along a dark river. The scene is set at 03:00 on a late April night — the sky is completely black, not a trace of twilight, only a canopy of sharp cold stars visible through perfectly clear air with zero cloud cover. Frost glistens on bare early-spring grass and leafless hedgerows in the foreground. The atmosphere feels heavy and oppressive despite the clear sky, conveying the tension of a high-price hour — a low amber industrial haze clings to the horizon behind the power stations. All facilities are illuminated by sodium-vapour streetlights casting deep orange pools on wet concrete and steel structures. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of Prussian blue, raw umber, and cadmium orange; visible impasto brushwork in the steam plumes and starfield; meticulous engineering detail on turbine nacelles, cooling tower parabolic curves, CCGT exhaust stacks, and conveyor structures; atmospheric depth created through layered luminous hazes receding toward the horizon. No text, no labels.