Brown coal 7.8 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into a completely black, starless night sky, their concrete forms lit from below by amber sodium lamps; natural gas 6.6 GW fills the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin plumes, lit by harsh industrial floodlights; biomass 4.2 GW appears centre-right as a mid-sized industrial facility with a wood-chip silo and a single squat smokestack with warm reddish glow at its base; hard coal 3.4 GW occupies the right-centre as a traditional coal plant with a large boiler house and conveyor belts, lit by yellow security lights; wind onshore 3.1 GW is rendered as a sparse row of three-blade turbines on a distant ridge at the far right, their red aviation warning lights blinking faintly in the darkness, rotors barely turning; hydro 1.3 GW is suggested by a small dam structure in the far background with a thin cascade of water catching artificial light; wind offshore 0.2 GW is a barely visible pair of turbines on the extreme far horizon. The sky is pure deep black with no twilight glow whatsoever — it is 4 AM. The ground shows late-April dormant grass with a light frost, temperature near freezing. The air is utterly still, no motion in trees or flags. The atmosphere feels heavy and oppressive, reflecting a high electricity price — a thick, brooding industrial haze hangs low, trapping the amber and yellow light of the facilities. Overhead high-voltage transmission lines with lattice pylons cross the scene, suggesting heavy power flow. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of blacks, deep navy, amber, and ochre — visible impasto brushwork, atmospheric chiaroscuro depth, meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.