Brown coal 7.8 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers, thick white steam plumes rising into the dark sky, lit from below by orange sodium lamps; natural gas 6.7 GW fills the centre-left as two compact CCGT plants with tall single exhaust stacks emitting thin grey plumes, their metal housings catching amber industrial light; biomass 4.3 GW appears centre-right as a cluster of wood-chip-fed generation halls with conveyor belts and squat chimneys glowing warmly; hard coal 3.4 GW stands behind the gas plants as a darker facility with a large boiler house and coal bunkers, a single wide stack with a faint reddish plume; onshore wind 2.7 GW occupies the far right as a sparse line of five three-blade turbines on a ridge, their rotors barely turning in the still air, red aviation warning lights blinking; hydro 1.4 GW is suggested by a small dam and penstock visible in the lower-right valley, water faintly reflecting industrial glow. The sky is deep blue-grey pre-dawn — 05:00 in late April — the faintest pale band of cold light barely emerging on the eastern horizon, stars still faintly visible overhead, no direct sunlight anywhere. The landscape is flat central German terrain with bare early-spring trees and frost-white fields, temperature near freezing. The atmosphere feels heavy and oppressive, reflecting the 125.7 EUR/MWh price — low haze clings to the ground, trapping the amber glow of the industrial complexes. No solar panels visible anywhere. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich impasto brushwork, deep atmospheric perspective, warm industrial light contrasting against the cold blue-grey pre-dawn sky, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.