Solar 49.2 GW dominates the scene, covering approximately 80% of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across rolling central German farmland with fresh spring-green grass and budding deciduous trees. Biomass 4.1 GW appears as a cluster of medium-scale wood-chip power plants with stockpiled fuel and small steam vents in the right middle ground. Brown coal 3.6 GW occupies the far left background as two hyperbolic cooling towers with lazy white steam plumes rising into overcast sky. Natural gas 2.0 GW is rendered as a compact CCGT plant with a single tall exhaust stack and thin heat shimmer, placed behind the solar fields left of centre. Hydro 1.3 GW appears as a small concrete dam with spillway on a river in the right background. Hard coal 1.1 GW shows as a single smaller power station with a rectangular stack beside the brown coal complex. Wind onshore 0.8 GW is depicted as two or three three-blade turbines on lattice towers standing completely motionless on a distant ridge, rotors locked in still air. The time is 1:00 PM: full diffuse daylight under a complete overcast sky, white-grey clouds covering the entire dome, yet the light is bright and even, illuminating every panel surface with soft reflected gleam—no harsh shadows, no visible sun disc. The air is calm, 14.9°C spring temperature, gentle atmosphere. The mood is serene, open, with a low calm sky suggesting the negative electricity price—no oppressive weight, just quiet luminous stillness. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial modernity—rich layered colour, visible confident brushwork, atmospheric aerial perspective receding into hazy distance, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve. No text, no labels.