Solar 48.5 GW dominates the entire right two-thirds of the scene as vast rolling fields of crystalline silicon PV panels stretching to the horizon, their aluminium frames glinting under a bright but fully overcast white sky at 1 PM; wind onshore 8.8 GW appears as a line of dozens of three-blade turbines with white tubular towers and nacelles on a gentle ridge in the upper-left middle ground, blades turning slowly in moderate breeze; biomass 4.0 GW is rendered as a cluster of wood-chip-fired CHP plants with corrugated steel silos and modest chimneys trailing thin white smoke in the left middle ground; brown coal 3.2 GW occupies the far left as two hyperbolic concrete cooling towers with lazy steam plumes rising into the overcast canopy; natural gas 2.0 GW appears as a small compact CCGT facility with a single tall exhaust stack and minimal exhaust beside the cooling towers; hard coal 1.1 GW is a single dark boiler house with a squat stack barely visible behind the gas plant; hydro 1.2 GW is suggested by a small concrete weir and penstock structure at a river in the left foreground; wind offshore 0.4 GW is a faint suggestion of distant turbines on a hazy horizon line far right. The sky is uniformly bright white-grey overcast, diffuse light casting soft shadowless illumination across the spring landscape—fresh green deciduous foliage, dandelion-speckled meadows, temperature around 16°C conveyed by light jackets on two tiny figures walking a path between panels. The atmosphere is calm, open, and expansive, reflecting the deeply negative electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's atmospheric depth merged with meticulous industrial-technical accuracy, rich layered colour, visible confident brushwork, luminous overcast sky rendered with subtle pearl and cream tones. No text, no labels.