Solar 42.1 GW dominates the entire foreground and middle ground as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching to the horizon, their blue-black surfaces gleaming under bright but hazy daylight filtered through a uniformly thin overcast sky; wind onshore 11.6 GW fills the right third of the composition as dozens of tall three-blade turbines on lattice and tubular towers, blades turning moderately in a 14 km/h breeze across green rolling hills with spring vegetation at 17°C; wind offshore 0.8 GW appears as a faint cluster of turbines on the far-right horizon above a pale strip of sea; biomass 4.1 GW is rendered as a mid-ground cluster of compact wood-chip power stations with modest chimneys trailing thin white exhaust; brown coal 3.4 GW occupies the left background as three hyperbolic concrete cooling towers with heavy white steam plumes rising into the overcast; natural gas 2.0 GW appears as a single compact CCGT plant with a clean silver exhaust stack and thin heat shimmer beside the cooling towers; hard coal 1.1 GW is a smaller dark brick boiler house with a single smokestack adjacent to the lignite plant; hydro 1.1 GW is suggested by a small concrete dam and reservoir visible in a valley on the far left. The sky is a uniform bright white-grey thin overcast at 15:00 in late April, with diffuse but strong light casting soft shadows — no harsh sun disk visible but everything brightly lit. The atmosphere feels calm, open, and spacious, reflecting the deeply negative electricity price. Lush green April meadows, budding deciduous trees, and wildflowers frame the foreground panels. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich colour palette, visible impasto brushwork, atmospheric aerial perspective fading into a luminous haze — but with meticulous engineering accuracy on every turbine nacelle, PV module busbar, cooling tower shell, and gas turbine exhaust detail. No text, no labels.