Solar 50.0 GW dominates the scene as a vast plain of crystalline silicon PV panels stretching across three-quarters of the canvas, their aluminium frames glinting under intense midday sun; wind onshore 5.8 GW appears as a cluster of tall three-blade turbines on a gentle ridge at the right, rotors turning slowly in moderate breeze; brown coal 3.4 GW occupies the far left as a pair of hyperbolic cooling towers with thin wispy steam plumes; biomass 4.0 GW sits as a timber-clad biomass plant with a low stack and woodchip yard beside the cooling towers; natural gas 1.9 GW is rendered as a compact CCGT unit with a single polished exhaust stack emitting a faint shimmer of heat haze; hard coal 1.1 GW is a smaller conventional boiler house with a single square stack just visible behind the biomass facility; hydro 1.2 GW appears as a small dam and spillway structure nestled in a shallow valley at far right; wind offshore 0.1 GW is omitted due to negligible share. The sky is entirely cloudless, a luminous cerulean blue with the sun at high altitude casting sharp shadows. Spring foliage: fresh green deciduous trees, rapeseed fields in bright yellow at the edges. Temperature is mild, the air clear and calm-feeling despite moderate wind aloft. The atmosphere is open, spacious, and serene, reflecting deeply negative prices — no tension, no oppression. Painted in the style of a highly detailed 19th-century German Romantic landscape oil painting — rich saturated colours, visible impasto brushwork, atmospheric aerial perspective receding into a pale blue horizon, meticulous engineering detail on every nacelle, panel frame, cooling tower, and exhaust stack. No text, no labels.