Solar 28.4 GW dominates the centre and right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling farmland, their glass surfaces blazing with reflected orange-gold light; onshore wind 15.8 GW fills the mid-ground and distant hills as dozens of three-blade turbines on tall lattice and tubular towers, rotors turning steadily in moderate wind; offshore wind 1.4 GW appears as a small cluster of turbines on the far horizon above a river; brown coal 3.9 GW occupies the far left as a pair of large hyperbolic cooling towers with thin wisps of steam rising; biomass 4.3 GW sits beside them as a wood-clad industrial plant with a modest smokestack and stacked timber; natural gas 2.2 GW appears as a compact CCGT facility with a single tall exhaust stack and low vapor plume; hard coal 1.4 GW is a smaller power station with a single square cooling tower partially behind the gas plant; hydro 1.3 GW is suggested by a small dam and reservoir glinting in the left foreground. Time of day is Berlin 17:00 in late April — the sun is descending toward the western horizon, casting long golden-orange light across the landscape, the sky above transitioning from warm amber near the horizon to a deepening blue overhead, completely clear with zero clouds. Spring vegetation: bright green fields, blossoming trees, fresh canola yellow patches. The atmosphere is calm and luminous, reflecting the low electricity price. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich impasto brushwork, dramatic atmospheric depth, Romantic luminosity — yet every turbine nacelle, every PV cell grid, every cooling tower's parabolic curve is rendered with meticulous engineering accuracy. No text, no labels.