Wind onshore 18.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling green spring fields, rotors turning steadily; brown coal 6.4 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes into the dark sky, lit from below by sodium-orange industrial lighting; natural gas 5.3 GW appears left-of-centre as compact CCGT power blocks with tall single exhaust stacks and smaller vapour trails, illuminated by facility floodlights; hard coal 3.6 GW is rendered as a smaller coal-fired station with rectangular boiler house and twin chimneys beside a coal conveyor, warm amber light spilling from its structures; biomass 4.4 GW appears as a mid-sized industrial plant with a domed digester and a modest stack emitting thin vapour, positioned in the centre-left middle ground; wind offshore 3.0 GW is suggested in the far background right as a faint row of red aviation warning lights on the horizon representing distant North Sea turbines; hydro 1.4 GW is shown as a small dam structure in the lower foreground with water catching artificial reflections. TIME: 22:00, fully dark — the sky is deep black-navy with a nearly clear canopy of stars and a thin crescent moon, only 6% cloud cover as faint wisps. No twilight, no sky glow — all illumination comes from sodium streetlamps, industrial floodlights, and red turbine warning beacons. The atmosphere feels heavy and oppressive despite the clear sky, a subtle amber-brown industrial haze hanging low over the thermal plants reflecting the high electricity price. Spring vegetation: fresh green grass and early leafy trees visible under artificial light, temperature around 10°C suggesting light mist near the ground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's brooding nocturnal sensibility merged with meticulous industrial engineering detail. Rich dark palette of navy, umber, ochre, and warm sodium orange. Visible impasto brushwork on steam plumes and sky, fine detailed strokes on turbine nacelles, cooling tower parabolic curves, and CCGT exhaust structures. Atmospheric depth recedes from the foreground dam through the mid-ground thermal plants to distant wind turbines. No text, no labels.