Wind onshore 14.7 GW dominates the right half of the canvas as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills; wind offshore 4.8 GW appears in the far-right background as a cluster of turbines standing in a barely visible dark sea on the horizon; brown coal 5.5 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lights; natural gas 4.9 GW sits just right of centre as two sleek CCGT plants with tall single exhaust stacks venting thin heat shimmer, illuminated by industrial floodlights; hard coal 2.0 GW appears as a smaller coal-fired station to the left with a single square stack and conveyor belt silhouette; biomass 4.3 GW is rendered as a mid-sized wood-chip-fired plant with a dome-topped silo and modest chimney trailing pale smoke, placed between the coal and gas plants; hydro 1.4 GW is a small concrete dam with spillway visible in the lower-left corner, water catching faint reflected light. The sky is completely black — no twilight, no moon, a deep-navy dome scattered with faint stars, clear with zero cloud cover. Spring vegetation on hills: fresh green grass faintly visible under sodium streetlight glow. The atmosphere is heavy and oppressive, hazy industrial light trapped near the ground suggesting high electricity prices. Transmission pylons with sagging cables run across the mid-ground linking the plants. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible confident brushwork, atmospheric depth and chiaroscuro contrast between the black sky and the orange-lit industrial facilities. Meticulous engineering detail on every turbine nacelle, cooling tower fluting, exhaust stack, and conveyor structure. No text, no labels.