Wind onshore 12.2 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills; wind offshore 3.1 GW appears as a cluster of turbines on the far-right horizon above a faintly gleaming sea; brown coal 4.6 GW occupies the left foreground as two large hyperbolic cooling towers with thick white steam plumes rising into the black sky, flanked by conveyor belts and ash-lit furnace glow; biomass 4.1 GW sits left of centre as a compact industrial plant with a tall cylindrical smokestack and woodchip storage domes, warmly lit from within; natural gas 4.0 GW appears centre-left as a pair of sleek CCGT units with polished exhaust stacks emitting thin heat shimmer; hard coal 1.6 GW is a smaller power station behind the gas plant with a single square stack and a coal yard; hydro 1.3 GW is suggested by a small concrete dam and spillway in the lower-left valley. Time is 04:00 — completely dark night, black sky with scattered bright stars, absolutely no twilight or sky glow on any horizon, a clear atmosphere with zero cloud cover revealing a canopy of stars. The air temperature is near freezing: bare early-spring trees with just the faintest bud suggestion, frost on grass, breath-like mist near the ground. Sodium-orange streetlights line a road in the mid-ground. The atmosphere feels heavy and oppressive — an almost brooding stillness despite the clear sky, reflecting high energy prices. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's nocturnal grandeur meets industrial realism — rich deep blues, warm amber industrial glows, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.