Wind onshore 10.5 GW dominates the right third of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling green hills; solar 10.3 GW fills the centre-right as vast fields of aluminium-framed crystalline silicon PV panels angled toward the eastern horizon catching the first pale light; biomass 4.4 GW appears as a cluster of modest industrial plants with cylindrical silos and thin stacks emitting faint white vapour in the centre; brown coal 3.9 GW occupies the left background as three large hyperbolic cooling towers with heavy steam plumes rising into the still air; natural gas 2.8 GW sits centre-left as two compact CCGT units with tall single exhaust stacks and thin heat shimmer; hydro 1.2 GW is a small concrete dam with spillway visible in a valley at far left; hard coal 0.9 GW appears as a single smaller power station with conveyor belts and a blocky boiler house near the brown coal complex; wind offshore 2.7 GW is suggested by a distant row of turbines barely visible on a flat grey-blue sea horizon at far right. The sky is deep blue-grey pre-dawn light — no direct sun yet visible, only the faintest pale luminance on the eastern horizon edging toward soft gold. The atmosphere feels heavy, oppressive, with a high-price tension — low haze clinging to the valley, cooling tower steam hanging thick in the frigid 3 °C air. Frost clings to bare-branched early-May vegetation and dormant grass, the landscape caught between winter and spring. Wind turbine blades are nearly still, consistent with 1.9 km/h surface wind, though upper blades hint at gentle rotation. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with meticulous industrial-engineering accuracy — rich colour palette of slate blues, muted greens, warm amber at the horizon, visible confident brushwork, dramatic chiaroscuro between dark western sky and brightening east. No text, no labels.