Wind onshore 9.2 GW spans the right third of the scene as dozens of tall three-blade turbines on lattice towers scattered across rolling green hills, their rotors turning slowly; brown coal 4.7 GW dominates the left background as a cluster of massive hyperbolic cooling towers with heavy white steam plumes rising into the dark sky, lit from below by sodium-orange industrial lights; natural gas 4.9 GW occupies the centre-left as a compact CCGT power station with twin exhaust stacks venting thin vapour, its metal facades glowing under floodlights; biomass 4.3 GW appears as a mid-sized industrial plant with a tall chimney and stacked woodchip storage, warmly lit; hydro 1.5 GW is represented by a modest dam structure with spillway visible in the centre-right middle distance, floodlit; hard coal 1.2 GW sits as a smaller conventional power station with a single smokestack beside the brown coal complex; wind offshore 1.3 GW is suggested by a faint row of turbines on the far-right horizon above a dark sea inlet. TIME: 22:00 at night — the sky is completely black with heavy 100% overcast, no stars, no moon, no twilight glow whatsoever; the only illumination comes from sodium streetlights casting orange pools along a road in the foreground, industrial floodlights on the power stations, and faint red aviation warning lights atop turbine nacelles and smokestacks. The atmosphere is heavy, oppressive, and humid — reflecting the high 140 EUR/MWh price — with low cloud pressing down on the steam plumes, diffusing the industrial light into a murky orange-grey haze. Vegetation is lush mid-spring green, visible only where lit by artificial light. Temperature is mild at 16.7°C; no frost, gentle air. STYLE: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, burnt sienna, and amber; visible impasto brushwork; atmospheric depth with layers of industrial haze receding into blackness; meticulous engineering detail on every turbine nacelle, cooling tower ribbing, CCGT exhaust stack, and transmission pylon; the scene evokes a brooding nocturnal industrial sublime, like a Caspar David Friedrich ruin replaced by the cathedral-scale geometry of modern energy infrastructure. No text, no labels.