Wind onshore 10.0 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling dark hills; wind offshore 1.3 GW appears as a distant cluster of turbines on a dark horizon line at far right. Brown coal 4.6 GW occupies the left foreground as three massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night, lit from below by sodium-orange industrial floodlights. Natural gas 4.5 GW fills the left-centre as two compact CCGT plants with tall single exhaust stacks emitting thin vapour trails, illuminated by bright white facility lighting. Biomass 3.9 GW appears centre-right as a cluster of low industrial buildings with short stacks and warm amber-lit windows. Hydro 1.3 GW is a small concrete dam structure in the mid-ground with water glistening under a single floodlight. Hard coal 1.2 GW sits as a smaller coal plant with a single smokestack at the far left edge. The sky is completely black with no twilight or sky glow — deep navy-black, 100% overcast cloud layer barely visible. No moon, no stars. All light comes from artificial sources: sodium streetlights along an access road, industrial floodlights casting harsh pools of orange and white on concrete and steel. Spring vegetation — fresh green grass and budding trees — is barely discernible in the artificial light. The atmosphere feels heavy and oppressive, reflecting the high electricity price: thick humid air, dense low clouds pressing down, steam plumes flattening and lingering. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich dark palette of deep blues, blacks, warm oranges and industrial whites, visible confident brushwork, atmospheric depth with layers of steam and darkness receding into the distance, meticulous engineering detail on every turbine nacelle, cooling tower shell, and exhaust stack. No text, no labels.