Onshore wind 8.8 GW dominates the right half of the scene as a long ridge of three-blade turbines with white lattice towers, their rotors turning slowly in light breeze; brown coal 4.7 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lighting; natural gas 4.2 GW appears centre-left as compact CCGT plant blocks with slender single exhaust stacks venting thin white vapour; biomass 4.0 GW is rendered as a mid-ground industrial facility with a tall rectangular boiler building and a conveyor belt feeding wood chips, lit by warm floodlights; hydro 1.3 GW appears as a concrete dam structure in the centre-right middle distance with water glinting under artificial light; hard coal 1.2 GW sits behind the brown coal plant as a smaller stack with a visible coal bunker; offshore wind 0.1 GW is a single faint turbine silhouette on the far horizon. Time is 03:00 — completely dark, deep navy-to-black sky, no twilight, no sky glow, 66% cloud cover shown as invisible clouds blotting out most stars but a few clusters visible through gaps. A mild spring night at 12.6°C — fresh green foliage on deciduous trees is barely visible in the facility floodlights, damp grass gleams faintly. The atmosphere is heavy and oppressive, reflecting the high electricity price: a low industrial haze hangs across the scene, the cooling tower steam merges into the overcast, sodium streetlights cast amber cones along a road in the foreground. A high-voltage transmission line stretches from left to right, symbolising the import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep blues, burnt umber, and amber-orange, visible impasto brushwork, atmospheric depth with layers of industrial haze, meticulous engineering detail on turbine nacelles, cooling tower reinforced-concrete ribs, CCGT exhaust geometry. The mood is brooding, industrial, nocturnal. No text, no labels.