Solar 25.1 GW dominates the centre and right of the scene as vast expanses of aluminium-framed crystalline silicon PV panels stretching across flat green farmland in late spring; onshore wind 13.4 GW fills the background as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning gently in moderate breeze; biomass 4.0 GW appears at the mid-left as a cluster of wood-chip-fed power stations with modest chimneys trailing thin white exhaust; brown coal 2.7 GW occupies the far left as two large hyperbolic cooling towers releasing lazy columns of steam; natural gas 1.9 GW sits as a compact CCGT plant with a single polished exhaust stack beside the cooling towers; hydro 1.3 GW is represented by a small concrete weir and penstock visible along a river winding through the foreground; hard coal 0.7 GW appears as a single darkened stack barely steaming at the leftmost edge; offshore wind 0.3 GW is a faint silhouette of two turbines on the distant horizon. The sky is completely overcast with a uniform, luminous white-grey cloud layer — full daylight at 16:00 in May but no direct sun visible, diffuse brightness illuminating every surface evenly. Temperature is warm at 22°C: lush green deciduous trees in full leaf, wildflowers in meadows between panel rows, fresh spring grass. The atmosphere is calm and open, reflecting the very low electricity price — no oppressive tones, just serene muted light. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich yet soft colour palette of greens, greys, and silvers, visible confident brushwork, atmospheric aerial perspective fading into hazy distance. Each technology rendered with meticulous engineering accuracy: three-blade rotor nacelles, PV module grid lines, hyperbolic concrete cooling tower curvature, CCGT exhaust geometry. The scene feels like a masterwork painting of an industrial-pastoral landscape. No text, no labels.