Wind onshore 13.4 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green hills into the distance; wind offshore 3.3 GW appears as a faint cluster of turbines on a dark horizon line at far right; brown coal 6.0 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white-grey steam plumes, flanked by conveyor belts and lignite stockpiles; natural gas 4.8 GW sits centre-left as two compact CCGT power blocks with tall slender exhaust stacks venting thin heat shimmer; hard coal 2.6 GW appears as a single smaller plant with a rectangular boiler house and a single squat cooling tower behind the gas units; biomass 4.4 GW is rendered as a mid-ground industrial facility with wood-chip silos and a modest smokestack; hydro 1.4 GW is a small dam and reservoir visible in a valley at centre-right. The sky is completely dark — deep navy-black, no twilight, no sky glow, heavy 100% cloud cover erasing any stars. Sodium-orange streetlights and warm industrial lighting illuminate the power plants from below, casting amber reflections on wet spring foliage. The atmosphere feels heavy and oppressive, haze pooling around the cooling towers, suggesting the high electricity price. Lush late-spring vegetation — leafy trees, green meadows — reflects the 19°C warmth. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich dark palette, visible impasto brushwork, dramatic chiaroscuro between the lit industrial structures and the pitch-dark sky, atmospheric depth receding through layers of turbines and smokestacks. Meticulous engineering accuracy on all technology elements. No text, no labels.